Audio

Equalization

Shape clip tone with Oraphim's Low, Mid, and High EQ controls or use the three-band Parametric EQ effect for targeted frequency work.

Updated August 27, 2026

Equalization

Oraphim provides two confirmed EQ paths: simple clip EQ in the Inspector, and the Parametric EQ audio effect for more targeted processing.

Clip EQ

Select an audio-bearing timeline clip and open the Inspector. Under EQ, use Low, Mid, and High, each adjustable from -12 dB to +12 dB. These controls are useful for quick tonal correction while editing.

  1. Play a representative section of the clip.
  2. Make small cuts or boosts in one band at a time.
  3. Toggle the change against the neutral 0 dB state and level-match by ear when possible.
  4. Listen on the full mix, not only in solo.

Parametric EQ effect

The separate Parametric EQ effect exposes three bands with editable frequency, bandwidth, and boost/cut values. Use it when a broad Low/Mid/High adjustment is not specific enough.

A practical dialogue example is to locate a persistent resonance with one parametric band, reduce it moderately, then verify that consonants and body still sound natural. Do not high-pass or boost frequencies simply because a generic recipe recommends it; source recordings differ.

Verify

Listen through quiet and loud phrases, bypass the EQ, and make sure the correction solves a real audible problem without making the rest of the clip thin, harsh, or dull. Save and reopen before final delivery, then verify the exported mix as well as timeline playback.