Audio
Equalization
Shape clip tone with Oraphim's Low, Mid, and High EQ controls or use the three-band Parametric EQ effect for targeted frequency work.
Updated August 27, 2026Equalization
Oraphim provides two confirmed EQ paths: simple clip EQ in the Inspector, and the Parametric EQ audio effect for more targeted processing.
Clip EQ
Select an audio-bearing timeline clip and open the Inspector. Under EQ, use Low, Mid, and High, each adjustable from -12 dB to +12 dB. These controls are useful for quick tonal correction while editing.
- Play a representative section of the clip.
- Make small cuts or boosts in one band at a time.
- Toggle the change against the neutral 0 dB state and level-match by ear when possible.
- Listen on the full mix, not only in solo.
Parametric EQ effect
The separate Parametric EQ effect exposes three bands with editable frequency, bandwidth, and boost/cut values. Use it when a broad Low/Mid/High adjustment is not specific enough.
A practical dialogue example is to locate a persistent resonance with one parametric band, reduce it moderately, then verify that consonants and body still sound natural. Do not high-pass or boost frequencies simply because a generic recipe recommends it; source recordings differ.
Verify
Listen through quiet and loud phrases, bypass the EQ, and make sure the correction solves a real audible problem without making the rest of the clip thin, harsh, or dull. Save and reopen before final delivery, then verify the exported mix as well as timeline playback.