Audio
Loudness and normalization
Use Oraphim's source-range peak normalization correctly and distinguish it from LUFS loudness normalization or delivery compliance.
Updated August 27, 2026Loudness and normalization
Oraphim's Normalize control is deliberately a peak-normalization tool. It analyzes the clip's authoritative source range and applies stable gain toward about -0.7 dBFS peak. It is not LUFS loudness normalization and does not by itself certify a broadcast or streaming loudness specification.
Normalize a clip
Select an audio-bearing clip, open Inspector → Level & Balance, and enable Normalize. Oraphim prepares source analysis when needed and applies the normalization gain during mixing.
Use normalization when clips arrive at very different source peak levels and you want a consistent technical starting point. Afterward, still set creative Gain, Volume, fades, Compressor, EQ, and Limiter by listening in context.
Delivery loudness
If a client or platform requires an integrated-LUFS, short-term-loudness, true-peak, or other formal specification, validate the final exported program against that specification with an appropriate metering/QC workflow. Do not assume peak normalization satisfies a loudness standard.
Practical workflow
- Normalize only the clips that need it.
- Balance dialogue against music/effects with Gain and Volume.
- Use Compressor/Limiters for dynamics rather than repeatedly normalizing.
- Export the complete mix and perform final loudness/peak QC on the delivered file.
Verify
Listen for unexpected level jumps after normalization, especially when a source contains one unusually high transient. Compare against the unnormalized state and make sure the final mix—not one isolated clip—meets the creative and technical delivery goal.