Audio

Loudness and normalization

Use Oraphim's source-range peak normalization correctly and distinguish it from LUFS loudness normalization or delivery compliance.

Updated August 27, 2026

Loudness and normalization

Oraphim's Normalize control is deliberately a peak-normalization tool. It analyzes the clip's authoritative source range and applies stable gain toward about -0.7 dBFS peak. It is not LUFS loudness normalization and does not by itself certify a broadcast or streaming loudness specification.

Normalize a clip

Select an audio-bearing clip, open Inspector → Level & Balance, and enable Normalize. Oraphim prepares source analysis when needed and applies the normalization gain during mixing.

Use normalization when clips arrive at very different source peak levels and you want a consistent technical starting point. Afterward, still set creative Gain, Volume, fades, Compressor, EQ, and Limiter by listening in context.

Delivery loudness

If a client or platform requires an integrated-LUFS, short-term-loudness, true-peak, or other formal specification, validate the final exported program against that specification with an appropriate metering/QC workflow. Do not assume peak normalization satisfies a loudness standard.

Practical workflow

  1. Normalize only the clips that need it.
  2. Balance dialogue against music/effects with Gain and Volume.
  3. Use Compressor/Limiters for dynamics rather than repeatedly normalizing.
  4. Export the complete mix and perform final loudness/peak QC on the delivered file.

Verify

Listen for unexpected level jumps after normalization, especially when a source contains one unusually high transient. Compare against the unnormalized state and make sure the final mix—not one isolated clip—meets the creative and technical delivery goal.