Project management

Proxy media

Generate, enable, invalidate, regenerate, and remove Oraphim proxies while keeping original camera media authoritative for final export.

Updated August 28, 2026

Proxy media

Proxy media makes heavy footage easier to scrub and preview without replacing the original source. Oraphim treats proxies as disposable playback caches: the original file remains authoritative for relinking, tracking, AI analysis, inspection, and final export.

Visual reference

Media Pool used to manage project media

Generate and manage proxies from project media while keeping the originals authoritative for inspection, AI/tracking work, relink, and final export.

Profiles

Profile Maximum frame size Video Audio
Performance 960×540 ProRes Proxy, 10-bit 4:2:2 PCM 16-bit, 48 kHz
Balanced 1280×720 ProRes Proxy, 10-bit 4:2:2 PCM 16-bit, 48 kHz
High Quality 1920×1080 ProRes Proxy, 10-bit 4:2:2 PCM 16-bit, 48 kHz

Aspect ratio is preserved and encoder-safe even dimensions are used.

Generate a proxy

In the Media Pool, open the actions for a video item and choose Generate Proxy or Regenerate Proxy. Generation runs in a reduced-priority background FFmpeg process. Oraphim writes a temporary .partial.mov, validates it with its own decoder, and only then renames it into the ready state.

Cards report generating percentage, ready, disabled, stale, or failure state. You can cancel a running job, disable proxy playback, or delete a proxy without deleting the original media.

When a proxy becomes stale

Oraphim records the original file size and last-write timestamp. If the source changes, moves, is relinked, or no longer matches that identity, the proxy is invalidated automatically and playback falls back to the original until a new proxy is generated.

Storage and failure logs

Successful proxies live under Oraphim's cache directory in a project-specific proxies folder. Failed jobs keep a .proxy.log for diagnosis; successful jobs remove temporary progress/log files.

Production rule

Use proxies to improve interaction, never to lower final quality. Final export always decodes the original media. Before delivery, confirm originals are online and relinked correctly, then render and inspect the exported file.